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You can purchase this photo on Getty Images. I could write nice descriptions about buildings like the Chrysler Building and the Empire State Building, seen here from Top of the Rock atop the GE Building, but everyone is probably familiar with these famous landmarks.

What about those other buildings? It was erected in with a striking art deco facade contributing significantly to the international reputation of Fifth Avenue.

The building measures approximately , rentable square feet and is currently owned by The Feil Organization. It is used primarily as an office building and also houses classrooms of Pace University. The building is one of the better known projects of the real estate developer Frederick Fillmore French. The lead architects were H. Jones, it was finished in and is considered part of the art deco school of architecture.

When it was built, it was the fourth-tallest tower in the world. Its owner until his death in was Frederick William Vanderbilt. On November 14, , the building became the final site to be removed from Thomas Edison's original direct current grid in New York City.

Today, some refer to the building as "the Napa Building", a reference to its long-time tenant Napa Group, Inc. The Chanin Building is a brick and terra-cotta skyscraper located at East 42nd Street, at the corner of Lexington Avenue, in Manhattan.

Built by Irwin S. Chanin in , it is 56 stories high, reaching The tower rises 22 stories and then thins into a series of setbacks, reaching a total of 56 floors. When originally completed, the 50th floor had a silver-and-black high-brow movie theater. This floor and the 51st are now offices joined by a stairwell instead.

Initially a dominant landmark in the midtown skyline, the building had an open-air observatory on the 54th floor. Having been surpassed in height by a number of buildings, most notably the Chrysler Building located across the street, the observatory has been long closed. It was completed in It is feet meters tall with 53 stories and built in neo-gothic style. Although dwarfed by other buildings in the area, notably the Chrysler Building and MetLife Building, the Lincoln has a number of interesting features, including gothic windows at the top, the lobby, and the bronze model by Daniel Chester French of Abraham Lincoln for the Lincoln Memorial in Washington, D.

Built by Walter J. It is a recognizable part of the Manhattan skyline and one of the fifty tallest buildings in the United States. When it opened on March 7, the Pan Am Building as it was known at the time was the largest commercial office space in the world. It faced huge initial unpopularity, being described as an "ugly behemoth", due to its lack of proportion and huge scale—it dwarfed the New York Central Building to the north and the Grand Central Terminal to the south.

The last tall tower erected in New York City before laws were enacted preventing corporate logos and names on the tops of buildings, it bore 15' tall "Pan Am" displays on its north and south faces and 25' tall globe logos east and west.

Pan Am originally occupied 15 floors of the building. By Pan Am's presence had dwindled to four floors; during that year Pan Am moved its headquarters to Miami. It is purely commercial in design with large floors, simple massing, with an absence of ornamentation inside and out. It has been popular with tenants, not least because of its location next to Grand Central Terminal.

In , the lifestyle periodical New York revealed in a poll that MetLife—then Pan Am—was the building that New Yorkers would most like to see demolished. Perhaps contributing to the hatred of the building is the fact that it is so visible. Situated behind Grand Central Terminal outside of the grid, the building, which would have otherwise been tucked away into the city, is left totally exposed and contrasted with the other buildings around it, most notably the New York Central Building, which is now called the Helmsley Building.

Today the building is one of the most recognizable skyscrapers in the City. In May , Sen. Harding began his affair with Nan Britton here--a relationship that continued after Harding was elected president. A Citibank branch is now on the ground floor. The building was originally planned as part of a project consisting of two identical towers facing one another on either side of the avenue to create a major gateway to lower Fifth Avenue.

The building incorporates the new tower to three pre-existing buildings, one of which served as the original headquarters for Republic National Bank of New York. Built in as the Biltmore Hotel, the story landmark hotel was gutted down to its steel skeleton between and and rebuilt as a modern glass office tower Madison Avenue. The famous Biltmore clock was retained in the building's new atrium lobby. It was known for some time as Bank of America Plaza. Grace Building was designed principally by Gordon Bunshaft, and completed in The building was commissioned by the W.

The building is located at Avenue of the Americas also known as Sixth Avenue , but the main entrance is on 42nd Street, between 5th and 6th. The building size is approximately 1,, rentable square feet, and sits on a site approximately x feet 67, square feet. The exterior of the building is covered in white travertine, which forms a contrast against the black windows and makes the building appear brighter than those surrounding it.

An elevated, spacious lobby features a striking eight-story glass atrium ascending above the building's main entrance at the corner of 42nd Street and Madison Avenue. The building also features an auditorium and dining facilities on the expansive lower levels, and is home to PricewaterhouseCoopers and The Canadian Imperial Bank of Commerce. Construction of the tower began in and was completed late in During the planning stage, designers focused particularly on the views from the building.

The columns were kept away from the perimeter of the tower and the main façade was designed to provide undisturbed viewing from the building. A higher quality of concrete was used to reduce the column sizes of the towers and increase office space. Constructed in , it is feet meters tall, with 57 stories. It is the 64th tallest building in New York City.

The tower is located at Fifth Avenue in Manhattan. The building has a secondary purpose as a residential condominium. Floors five through 27 contain a room hotel, and floors 28 through 56 are residential condominiums. Em , a Catedral foi transferida do Morro do Castelo para a igreja de Santa Cruz dos Militares, onde permaneceu apenas três anos. Em , o Cardeal D. Eugenio de Araujo Sales sucessor de D.

E, no dia 4 de outubro de , Sua Santidade presidiu solene Missa, concelebrada por mais de bispos do mundo inteiro e por mais de 1.

Autoridades civis, militares e religiosas e milhares de fiéis agradeceram a Dom Eugenio Sales pelo seu fecundo pastoreio e apresentaram a Dom Eusébio Scheid as boas vindas e votos de abençoado pastoreio. A Catedral tem as seguintes medidas: Na base, a pirâmide é quadrada e larga, mas se estreita a medida em que sobe, até tomar, no topo, a forma de um platô. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces.

His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style. Gerhard's mother, Hildegard Schönfelder, at the age of 25 gave birth to Gerhard. Hildegard's father, Ernst Alfred Schönfelder, at one time was considered a gifted pianist. Ernst moved the family to Dresden after taking up the family enterprise of brewing and eventually went bankrupt.

Once in Dresden, Hildegard trained as a bookseller, and in doing so realized a passion for literature and music. Gerhard's father, Horst Richter, was a mathematics and physics student at the Technische Hochschule in Dresden. The two were married in After struggling to maintain a position in the new Nationalist Socialist education system, Horst found a position in Reichenau.

In Reichenau, Gerhard's younger sister, Gisela was born in November Horst and Hildegard were able to remain primarily apolitical due to Reichenau's location in the countryside. Horst, being a teacher, was eventually forced to join the National Socialist Party. He never became an avid supporter of Nazism, and was not required to attend party rallies.

In , Gerhard was conscripted into the Deutsches Jungvolk, but by the end of the war he was still too young to be an official member of the Hitler Youth. In Hildegard moved the family to Waltersdorf, and was later forced to sell her piano. He left school after 10th grade and apprenticed as an advertising and stage-set painter, before studying at the Dresden Academy of Fine Arts. In , he finished higher professional school in Zittau, and, between and , successively worked as an apprentice with a sign painter and as a painter.

In , his application for study at the Dresden Academy of Fine Arts was rejected as "too bourgeois". He finally began his studies at the Dresden Academy of Fine Arts in In , Richter resettled from Düsseldorf to Cologne, where he still lives and works today.

In , he moved into a studio designed by architect Thiess Marwede. He married his second wife, the sculptor Isa Genzken, in Richter had a son and daughter with his third wife, Sabine Moritz after they were married in In the early days of his career, he prepared a wall painting Communion with Picasso, for the refectory of his Academy of Arts as part of his B. Another mural entitled Lebensfreude Joy of life followed at the German Hygiene Museum for his diploma.

It was intended to produce an effect "similar to that of wallpaper or tapestry". Both paintings were painted over for ideological reasons after Richter escaped from East to West Germany two months before the building of the Berlin Wall in After German reunification two "windows" of the wall painting Joy of life were uncovered in the stairway of the German Hygiene Museum, but these were later covered over when it was decided to restore the Museum to its original state.

From to Richter worked as a master trainee in the academy and took commissions for the then state of East Germany.

During this time, he worked intensively on murals like Arbeiterkampf Workers' struggle , on oil paintings e. With Sigmar Polke and Konrad Fischer de pseudonym Lueg he introduced the term Kapitalistischer Realismus Capitalistic Realism as an anti-style of art, appropriating the pictorial shorthand of advertising. This title also referred to the realist style of art known as Socialist Realism, then the official art doctrine of the Soviet Union, but it also commented upon the consumer-driven art doctrine of western capitalism.

Richter taught at the Hochschule für bildende Künste Hamburg and the Nova Scotia College of Art and Design as a visiting professor; he returned to the Kunstakademie Düsseldorf in , where he was a professor for over 15 years.

Nearly all of Richter's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Richter, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. Richter's opinions and perspectives on his own art, and that of the larger art market and various artistic movements, are compiled in a chronological record of "Writings" and interviews.

The following quotes are excerpts from the compilation:. Otherwise I would not take so much trouble over my choice of subjects; otherwise I would not paint at all. Richter created various painting pictures from black-and-white photographs during the s and early s, basing them on a variety of sources: For Forty-eight Portraits —2 , he chose mainly the faces of composers such as Gustav Mahler and Jean Sibelius, and of writers such as H.

Wells and Franz Kafka. From his "Writings", the following refer to quotations regarding photography, its relationship with painting, and the "blur":. It does not change; it is absolute, and therefore autonomous, unconditional, devoid of style. Both in its ways of informing, and in what it informs of, it is my source.

Blurring is not the most important thing; nor is it an identity tag for my pictures. When I dissolve demarcations and create transition, this is not in order to destroy the representation, or to make it more artistic or less precise.

The flowing transitions, the smooth equalizing surface, clarify the content and make the representation credible an "alla prima" impasto would be too reminiscent of painting, and would destroy the illusion. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.

Many of these paintings are made in a multi-step process of representations. He starts with a photograph, which he has found or taken himself, and projects it onto his canvas, where he traces it for exact form.

Taking his color palette from the photograph, he paints to replicate the look of the original picture. His hallmark "blur" is achieved sometimes with a light touch of a soft brush, sometimes a hard smear by an aggressive pull with a squeegee. From around , Richter made a number of portraits of dealers, collectors, artists and others connected with his immediate professional circle.

Richter's two portraits of Betty, his daughter, were made in and respectively; the three portraits titled IG were made in and depict the artist's second wife, Isa Genzken. Lesende portrays Sabine Moritz, whom Richter married in , shown absorbed in the pages of a magazine. Richter began making prints in He was most active before , only completing sporadic projects since that time. In the period —74, Richter made most of his prints more than , of the same or similar subjects in his paintings.

While elements of landscape painting appeared initially in Richter's work early on in his career in , the artist began his independent series of landscapes in after his first vacation, an excursion that landed him besotted with the terrain of Corsica. They are compared to the work of Caspar David Friedrich — Friedrich is foundational to German landscape painting.

Each artist spent formative years of their lives in Dresden. Atlas was first exhibited in at the Museum voor Hedendaagse Kunst in Utrecht under the title Atlas der Fotos und Skizzen, it included parts. The work has continued to expand, and was exhibited later in full form at the Lenbachhaus in Munich in , the Museum Ludwig in Cologne in , and at Dia Art Foundation in New York in Atlas continues as an ongoing, encyclopedic work composed of approximately 4, photographs, reproductions or cut-out details of photographs and illustrations, grouped together on approximately separate panels.

In Richter embarked on a ten-day trip to Greenland, his friend Hanne Darboven was meant to accompany him, but instead he traveled alone. His intention was to experience and record the desolate arctic landscape. In , four large paintings, each titled Seascape emerged from the Greenland photographs. Two of Richter's memento mori paintings — Kerze and Schädel — on display at Neue Nationalgalerie, Berlin in In and , Richter made a series of paintings of Candles and Skulls that relate to a longstanding tradition of still life memento mori painting.

Each composition is most commonly based on a photograph taken by Richter in his own studio. The Candle paintings coincided with his first large-scale abstract paintings, and represent the complete antithesis to those vast, colorful and playfully meaningless works. Richter has made only 27 of these still lifes. His solitary candle was reproduced on a monumental scale and placed overlooking the River Elbe as a symbol of rejuvenation. In a series of 15 ambiguous photo paintings entitled 18 October , he depicted four members of the Red Army Faction RAF , a German left-wing terrorist organization.

These paintings were created from black-and-white newspaper and police photos. Three RAF members were found dead in their prison cells on 18 October and the cause of their deaths was the focus of widespread controversy.

The paintings were based on an official portrait of Ulrike Meinhof during her years as a radical journalist; on photographs of the arrest of Holger Meins; on police shots of Gudrun Ensslin in prison; on Andreas Baader's bookshelves and the record player to conceal his gun; on the dead figures of Meinhof, Ensslin, and Baader; and on the funeral of Ensslin, Baader, and Jan-Carl Raspe. Since , Richter has worked on creating new images by dragging wet paint over photographs.

The photographs, not all taken by Richter himself, are mostly snapshots of daily life: A few years later, he made one small painting specifically about the planes crashing into the World Trade Center. A History Painting by Gerhard Richter, Robert Storr situates Richter's painting September within a brand of anti-ideological thought that he finds throughout Richter's work, he considers how the ubiquitous photographic documentation of the 11 September attacks affects the uniqueness of one's distinct remembrance of the events, and he offers a valuable comparison to Richter's 18 October cycle.

In the s, Richter made a number of works that dealt with scientific phenomena. In , he produced several paintings with the same title: Large oil-on-canvas pieces, these show latticed rows of light- and dark-grey blobs whose shapes quasi-repeat as they race across the frame, their angle modulating from painting to painting.

They depict a photo, published in the Frankfurter Allgemeine Zeitung, of a computer-generated simulacrum of reflections from the silicon dioxide found in insects' shells.

Coming full-circle from his early Table in which he cancelled his photorealist image with haptic swirls of grey paint,[ in , Richter produced the first of a group of grey monochromes that consist exclusively of the textures resulting from different methods of paint application. In , Richter first gave the title Abstract Painting to one of his works.

By presenting a painting without even a few words to name and explain it, he felt he was "letting a thing come, rather than creating it. The paintings evolve in stages, based on his responses to the picture's progress: Throughout his process, Richter uses the same techniques he uses in his representational paintings, blurring and scraping to veil and expose prior layers.

From the mids, Richter began to use a homemade squeegee to rub and scrape the paint that he had applied in large bands across his canvases. In an interview with Benjamin H. The following are Richter's answers:. The Grey Pictures were done at a time when there were monochrome paintings everywhere. I painted them nonetheless. In the s the artist began to run his squeegee up and down the canvas in an ordered fashion to produce vertical columns that take on the look of a wall of planks.

Richter's abstract work and its illusion of space developed out of his incidental process: Despite unnatural palettes, spaceless sheets of color, and obvious trails of the artist's tools, the abstract pictures often act like windows through which we see the landscape outside.

As in his representational paintings, there is an equalization of illusion and paint. In those paintings, he reduces worldly images to mere incidents of Art. Similarly, in his abstract pictures, Richter exalts spontaneous, intuitive mark-making to a level of spatial logic and believability. Firenze continues a cycle of 99 works conceived in the autumn of and executed in the same year and thereafter. The series of overpainted photographs, or übermalte Photographien, consists of small paintings bearing images of the city of Florence, created by the artist as a tribute to the music of Steve Reich and the work of Contempoartensemble, a Florence-based group of musicians.

After , Richter made a number of works that dealt with scientific phenomena, in particular, with aspects of reality that cannot be seen by the naked eye.

In , Richter conceived six paintings as a coherent group under the title Cage, named after the American avant-garde composer John Cage. In May , Richter photographed details of his abstract painting no. Working on a long table over a period of several weeks, Richter combined these 10 x 15 cm details with texts on the Iraq war, published in the German Frankfurter Allgemeine Zeitung newspaper on 20 and 21 March.

This work was published in as a book entitled War Cut. In November , Richter began a series in which he applied ink droplets to wet paper, using alcohol and lacquer to extend and retard the ink's natural tendency to bloom and creep.

The resulting November sheets are regarded as a significant departure from his previous watercolours in that the pervasive soaking of ink into wet paper produced double-sided works. Sometimes the uppermost sheets bled into others, generating a sequentially developing series of images.

In a few cases Richter applied lacquer to one side of the sheet, or drew pencil lines across the patches of colour. As early as , Richter had made paintings based on colour charts, using the rectangles of colour as found objects in an apparently limitless variety of hue; these culminated in —4 in a series of large-format pictures such as Colours. Richter painted three series of Color Chart paintings between and , each series growing more ambitious in their attempt to create through their purely arbitrary arrangement of colors.

The artist began his investigations into the complex permutations of color charts in , with a small painting entitled 10 Colors. The charts provided anonymous and impersonal source material, a way for Richter to disassociate color from any traditional, descriptive, symbolic or expressive end.

When he began to make these paintings, Richter had his friend Blinky Palermo randomly call out colors, which Richter then adopted for his work. Chance thus plays its role in the creation of his first series. Returning to color charts in the s, Richter changed his focus from the readymade to the conceptual system, developing mathematical procedures for mixing colours and chance operations for their placement.

Each color was then randomly ordered to create the resultant composition and form of the painting. Richter's second series of Color Charts was begun in and consisted of only five paintings. In the final series of Color Charts which preoccupied Richter throughout and , additional elements to this permutational system of color production were added in the form of mixes of a light grey, a dark gray and later, a green.

Richter's Colours from consisted of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral. Richter developed Version II — 49 paintings, each of which measures 97 by 97 centimeters — especially for the Serpentine Gallery. Richter began to use glass in his work in , when he made Four Panes of Glass.

These plain sheets of glass could tilt away from the poles on whicht they were mounted at an angle that changed from one installation to the next. In , he and Blinky Palermo jointly submitted designs for the sports facilities for the Olympic Games in Munich.

For the front of the arena, they proposed an array of glass windows in twenty-seven different colors; each color would appear fifty times, with the distribution determined randomly. In , for a two-person show with Georg Baselitz in Düsseldorf, Richter produced the first of the monumental transparent mirrors that appear intermittently thereafter in his oeuvre; the mirrors are significantly larger than Richter's paintings and feature adjustable steel mounts. For pieces such as Mirror Painting Grey, , the mirrors were coloured grey by the pigment attached to the back of the glass.

Arranged in two rooms, Richter presented an ensemble of paintings and colored mirrors in a special pavilion designed in collaboration with architect Paul Robbrecht at Documenta 9 in Kassel in In , for the Dia Art Foundation, Richter created a glass sculpture in which seven parallel panes of glass refract light and the world beyond, offering altered visions of the exhibition space; Spiegel I Mirror I and Spiegel II Mirror II , a two-part mirror piece from that measures 7' tall and 18' feet long, which alters the boundaries of the environment and again changes one's visual experience of the gallery; and Kugel Sphere , , a stainless steel sphere that acts as a mirror, reflecting the space.

In , the Drawing Center showed Lines which do not exist, a survey of Richter's drawings from to , including works made using mechanical intervention such as attaching a pencil to an electric hand drill. In a review of Lines which do not exist, R. Lossin writes in The Brooklyn Rail: Richter displaces the concept of the artist's hand with hard evidence of his own, wobbly, failed, and very material appendage.

Throughout his career, Richter has mostly declined lucrative licensing deals and private commissions. In , Richter and Isa Genzken were commissioned to design the König-Heinrich-Platz underground station in Duisburg; it was only completed in In , he installed a wall piece based on the colours of Germany's flag in the rebuilt Reichstag in Berlin.

In , the same year as his MoMA retrospective, Richter was asked to design a stained glass window in the Cologne Cathedral In August , his window was unveiled. It is an square metres 1, sq ft abstract collage of 11, pixel-like squares in 72 colors, randomly arranged by computer with some symmetry , reminiscent of his painting " colours".

However the costs were covered by donations from more than 1, people. Cardinal Joachim Meisner did not attend the window's unveiling; he had preferred a figurative representation of 20th century Christian martyrs and said that Richter's window would fit better in a mosque or other prayer house. A professed atheist with "a strong leaning towards Catholicism", Richter's three children with his third wife were baptized in the Cologne Cathedral.

Richter first began exhibiting in Düsseldorf in Richter had his first gallery solo show in at Galerie Schmela in Düsseldorf. Soon after, he had exhibitions in Munich and Berlin and by the early s exhibited frequently throughout Europe and the United States.

In , Bruno Bischofberger was the first to show Richter's works outside Germany. Richter's first retrospective took place at the Kunsthalle Bremen in and covered works from to A traveling retrospective at Düsseldorf's Kunsthalle in was followed in by a retrospective at the Tate Gallery, London.

In he received a major touring retrospective "Gerhard Richter: Malerei —" curated by Kasper König, with a three volume catalogue edited by Benjamin Buchloch. This exhibition containing works carried out over the course of thirty years, was to entirely reinvent Richter's career.

Richter became known to a U. In , an exhibition at the Getty Center connected the landscapes of Richter to the Romantic pictures of Caspar David Friedrich, showing that both artists "used abstraction, expansiveness, and emptiness to express transcendent emotion through painting. The Gerhard Richter Archive was established in cooperation with the artist in as an institute of the Staatliche Kunstsammlungen Dresden.

Gerhard Richter Colours: Although Richter gained popularity and critical praise throughout his career, his fame burgeoned during his retrospective exhibition, which declared his place among the most important artists of the 20th century.

Today, many call Gerhard Richter the best living painter. In part, this comes from his ability to explore the medium at a time when many were heralding its death. He was made an honorary citizen of Cologne in April He also served as source of inspiration for writers and musicians. Sonic Youth used a painting of his for the cover art for their album Daydream Nation in He was a fan of the band and did not charge for the use of his image.

The meeting takes place in the room displaying 18 October Following an exhibition with Blinky Palermo at Galerie Heiner Friedrich in , Richter's formal arrangement with the dealer came to an end in Thereafter Friedrich was only entitled to sell the paintings that he had already obtained contractually from Richter. Today Richter is represented by Marian Goodman, his primary dealer since At the same time, his works often appear at auction.

Richter's high turnover volume reflects his prolificacy as well as his popularity. Richter's paintings have been flowing steadily out of Germany since the mids even as certain important German collectors — Frieder Burda, Josef Fröhlich, Georg Böckmann, and Ulrich Ströher — have held on to theirs. Richter's candle paintings were the first to command high auction prices.

Richter's Abstraktes Bild, of was made the top price of 7. In , Corinna Belz made a short film called Gerhard Richter's Window where the media-shy artist appeared on camera for the first time in 15 years. The film focused almost entirely on the world's highest paid living artist producing his large-scale abstract squeegee works in his studio.

Once obsessed, one ultimately carries it to the point of believing that one might change human beings through painting. But if one lacks this passionate commitment, there is nothing left to do. Then it is best to leave it alone. For basically painting is idiocy. And this making is something that I can't grasp, or figure out and plan.

That is why I keep on and on painting from photographs, because I can't make it out, because the only thing to do with photographs is paint from them. Because it attracts me to be so much at the mercy of a thing, to be so far from mastering it.

Nor is it meant to be like any other, but the same: I intended them to look the same but not be the same, and I intended this to be visible. Thinking is language — record-keeping — and has to take place before and after. Einstein did not think when he was calculating: We can draw conclusions about the invisible; we can postulate its existence with relative certainty.

But we all can represent is an analogy, which stands for the invisible but is not it. Almada regressa a Portugal em Almada regressa definitivamente a Lisboa em A estadia em Paris em marca, neste aspeto, um ponto de viragem. A partida dos emigrantes, c. Born in in Santiago, Chile. Some of his main individual exhibitions:. Through his extensive path he showed works close to the figurative surrealism.

He developed recurrent images that did that his paintings were recognizable with characteristics of his own. Couples bound in the bed and in suggestive poses of tango, the air perspectives of human multitudes and the design of checkerboard are some of his most used subjects. Some themes generated diverse series as are the bicycles, the beds, the kites and the volcanos. He painted with oils, watercolors and acrylic, but whathe loves the best was the engraving technique,.

Conforme a Lei 9. According to Law 9. The Brooklyn Bridge is one of the oldest suspension bridges in the United States. With a main span of 1, Originally referred to as the New York and Brooklyn Bridge, it was dubbed the Brooklyn Bridge in a January 25, letter to the editor of the Brooklyn Daily Eagle,[5] and formally so named by the city government in Since its opening, it has become an iconic part of the New York skyline.

The Brooklyn Bridge was initially designed by German immigrant John Augustus Roebling, who had previously designed and constructed shorter suspension bridges, such as Roebling's Delaware Aqueduct in Lackawaxen, Pennsylvania, and the John A. Roebling Suspension Bridge in Cincinnati, Ohio. While conducting surveys for the bridge project, Roebling sustained a crush injury to his foot when a ferry pinned it against a piling. After amputation of his crushed toes he developed a tetanus infection which left him incapacitated and soon resulted in his death, not long after he had placed his 32 year-old son Washington Roebling in charge of the project.

Washington Roebling also suffered a paralyzing injury as a result of decompression sickness shortly after the beginning of construction on January 3, Andrew Smith, afflicted many of the workers working within the caissons. When iron probes underneath the caisson found the bedrock to be even deeper than expected, Roebling halted construction due to the increased risk of decompression sickness. He deemed the aggregate overlying the bedrock 30 feet 9 m below it to be firm enough to support the tower base.

The Brooklyn Bridge was completed thirteen years later and was opened for use on May 24, The opening ceremony was attended by several thousand people and many ships were present in the East Bay for the occasion. Arthur shook hands with Washington Roebling at the latter's home, after the ceremony. Roebling was unable to attend the ceremony and in fact rarely visited the site again , but held a celebratory banquet at his house on the day of the bridge opening.

Further festivity included the performance of a band, gunfire from ships, and a fireworks display. On that first day, a total of 1, vehicles and , people crossed what was then the only land passage between Manhattan and Brooklyn. Emily Warren Roebling was the first to cross the bridge.

The bridge's main span over the East River is 1, feet 6 inches One week after the opening, on May 30, , a rumor that the Bridge was going to collapse caused a stampede, which crushed and killed at least twelve people. Barnum helped to squelch doubts about the bridge's stability—while publicizing his famous circus—when one of his most famous attractions, Jumbo, led a parade of 21 elephants over the Brooklyn Bridge.

Since the s, it has been floodlit at night to highlight its architectural features. The towers are built of limestone, granite, and Rosendale cement. Their architectural style is neo-Gothic, with characteristic pointed arches above the passageways through the stone towers. The paint scheme of the bridge is "Brooklyn Bridge Tan", although is has been argued that the original paint was "Rawlins Red". At the time the bridge was built, the aerodynamics of bridge building had not been worked out.

Bridges were not tested in wind tunnels until the s—well after the collapse of the original Tacoma Narrows Bridge Galloping Gertie in It is therefore fortunate that the open truss structure supporting the deck is by its nature less subject to aerodynamic problems. Roebling designed a bridge and truss system that was six times as strong as he thought it needed to be.

Because of this, the Brooklyn Bridge is still standing when many of the bridges built around the same time have vanished into history and been replaced. This is also in spite of the substitution of inferior quality wire in the cabling supplied by the contractor J.

Lloyd Haigh—by the time it was discovered, it was too late to replace the cabling that had already been constructed. Roebling determined that the poorer wire would leave the bridge four rather than six times as strong as necessary, so it was eventually allowed to stand, with the addition of cables.

Diagonal cables were installed from the towers to the deck, intended to stiffen the bridge. They turned out to be unnecessary, but were kept for their distinctive beauty. After the collapse in of the IW highway bridge in the city of Minneapolis, increased public attention has been brought to bear on the condition of bridges across the US, and it has been reported that the Brooklyn Bridge approach ramps received a rating of "poor" at its last inspection.

Poor means there are some components that have to be rehabilitated. Cross section diagramAt various times, the bridge has carried horse-drawn and trolley traffic; at present, it has six lanes for motor vehicles, with a separate walkway along the centerline for pedestrians and bicycles. Due to the roadway's height 11 ft 3. Streetcars ran on what are now the two center lanes shared with other traffic until the elevated lines stopped using the bridge in , when they moved to the protected center tracks.

In the streetcars also stopped running, and the bridge was rebuilt to carry six lanes of automobile traffic. View from the pedestrian walkway. The bridge's cable arrangement forms a distinct weblike pattern. The Brooklyn Bridge has a wide pedestrian walkway open to walkers and cyclists, in the center of the bridge and higher than the automobile lanes.

While the bridge has always permitted the passage of pedestrians across its span, its role in allowing thousands to cross takes on a special importance in times of difficulty when usual means of crossing the East River have become unavailable. During transit strikes by the Transport Workers Union in and , the bridge was used by people commuting to work, with Mayors Koch and Bloomberg crossing the bridge as a gesture to the affected public.

Following the , and Blackouts and most famously after the September 11, , attacks on the World Trade Center, the bridge was used by people in Manhattan to leave the city after subway service was suspended. The massive numbers of people on the bridge could not have been anticipated by the original designer, yet John Roebling designed it with three separate systems managing even unanticipated structural stresses. The bridge has a suspension system, a diagonal stay system, and a stiffening truss.

The natural sway motion of people walking causes small sideways oscillations in a bridge, which in turn cause people on the bridge to sway in step, increasing the amplitude of the bridge oscillations and continually reinforcing the effect. High-density traffic of this nature causes a bridge to appear to move erratically or "to wobble" as happened at opening of the London Millennium Footbridge in The first person to jump from the bridge was Robert E.

Odlum on May 19, He struck the water at an angle and died shortly thereafter from internal injuries. On June , following 13 reconnoiters inside the metal structure, and with the help of a mountain guide, Thierry Devaux performed illegally eight acrobatic bungee jumps above the East River close to the Brooklyn pier, in the early morning.

He used an electric winch between each acrobatic figure. On March 1, , Lebanese-born Rashid Baz opened fire on a van carrying members of the Chabad-Lubavitch Orthodox Jewish Movement, striking sixteen-year-old student Ari Halberstam and three others traveling on the bridge. Baz was apparently acting out of revenge for the Hebron massacre of 29 Muslims by Baruch Goldstein that had taken place days earlier on February 25, Baz was convicted of murder and sentenced to a year prison term.

After initially classifying the murder as one committed out of road rage, the Justice Department reclassified the case in as a terrorist attack.

The entrance ramp to the bridge on the Manhattan side was named the Ari Halberstam Memorial Ramp in memory of the victim. In , truck driver Iyman Faris was sentenced to about 20 years in prison for providing material support to Al-Qaeda, after an earlier plot to destroy the bridge by cutting through its support wires with blowtorches was thwarted through information the National Security Agency uncovered through wiretapped phone conversations and interrogation of Al-Qaeda militants.

The bunker, hidden within the masonry anchorage, still contained the emergency supplies that were being stored for a potential nuclear attack by the Soviet Union. The centennary celebrations on May 24, , saw a cavalcade of cars crossing the bridge, led by President Ronald Reagan.

A flotilla of ships visited the harbor, parades were held, and in the evening the sky over the bridge was illuminated by Grucci fireworks. Beginning on May 22, , festivities were held over a five-day period to celebrate the th anniversary of the opening of the Brooklyn Bridge. The events kicked off with a live performance of the Brooklyn Philharmonic in Empire—Fulton Ferry State Park, followed by special lighting of the bridge's towers and a fireworks display.

Just before the anniversary celebrations, the Telectroscope, which created a video link between New York and London, was installed on the Brooklyn side of the bridge. The installation lasted for a few weeks and permitted viewers in New York to see people looking into a matching telectroscope in front of London's Tower Bridge. Contemporaries marveled at what technology was capable of and the bridge became a symbol of the optimism of the time.

John Perry Barlow wrote in the late 20th century of the "literal and genuinely religious leap of faith" embodied in the Brooklyn Bridge References to "selling the Brooklyn Bridge" abound in American culture, sometimes as examples of rural gullibility but more often in connection with an idea that strains credulity.

For example, "If you believe that, I've got a bridge to sell you. Parker and William McCloundy are two early 20th-century con-men who had allegedly successfully perpetrated this scam on unwitting tourists. New York City Department of Transportation. National Register of Historic Places. National Historic Landmark summary listing. The Brooklyn Daily Eagle: The New York Times.

Undersea Hyperb Med 31 4: South Pacific Underwater Medicine Society journal 29 2. Emily Warren Roebling and the Brooklyn Bridge. American Society of Civil Engineers. Brooklyn Bridge-tower rests on sand". Archived from the original on Twenty-One Elephants and Still Standing.

Barnum — MSN Encarta". Retrieved October 23, The Museum of Broadcast Communications. The Emerging Science of Spontaneous Order. The New York Times: Ari Halberstam Memorial Site. Daily News New York. Art of the Brooklyn Bridge: Strogartz, Steven, Daniel M. Crowd synchrony on the Millennium Bridge," Nature, Vol. University of Chicago Press. ISBN [2nd ed. For some reason this evening I have been likening this photograph to a song from the s. When I was a teenager during the period of enlightenment that was the Swinging Sixties I was very influenced by the pop music scene.

This stemmed from an interest of the music of my famous cousin which some of you know about and of my enthusiasm of the works of some of the lesser pop groups of the period. Many of these lesser groups were a "one hit wonder" and their follow-up discs were a resounding flop and the group would disappear from the scene as quickly as they came. Remember the Honeycombs and their hit "Have I the right"?

What did they follow that up with? No, I don't remember either! What about the Applejacks and their hit "Tell me when"? I know, because I was one of the sad teenagers that bought it! Where is all this perambulation taking us you ask? Well, I liken this photo as a follow-up to my previous flickr offering, more of the same, but not quite as good and will probably fade into obscurity like many of my musical heroes from the s.

Splendid golden-outline landscape splashed painting by Zhang Daqian dated This painting could be described as one of the most beautiful Chinese Landscape Splashed Paintings you have ever seen in the world!

This fine and delicate landscape splashed painting can be done by Zhang Daqian only due to the difficult and essential requirements of at least 30 years of long-term splashed painting experience! Only Master Zhang Daqian met with this strict qualification! These pictures were taken during a trip to Rome in Jun , where I presented a 2-day seminar on "Web 2. I noticed this couple, sitting on the railing that separates the vehicular roadway from the pedestrian part of the Piazza del Popolo.

I couldn't tell if they were arguing, engaged in a who-blinks-first? I can't help wondering if this couple had any idea how many people would look at their picture a little over 14, as of January , and how many different bizarre blog postings -- well over a hundred, at this point, from all over the world -- would use the image of their conversation to illustrate their message. To see all the places where the photo has been published at least, all of the ones that I'm aware of , see below Handling Pressure to Apologize.

One of the more unusual publications of this photo was in a Dec 7, blog titled " Separated Spouses Filing Bankruptcy Together.

Moving into , the photo was published in a Jan 7, blog titled " Everyone has a bad day. It was also published in a Jan 22, blog titled " Infidelity Doesn't Have to Mean Divorce ," and a Jan 24, blog titled " Both partners need to be involved.

I've also discovered that it was published in a Feb 12, Canadian blog titled " We need to talk about the history of marriage counselling. Cuando la propia identidad se pierde en la pareja. It was also published in a Sep 6, blog titled " Living together apart — Conviviendo juntos pero separados. An overview of court proceedings. Forgiving the Minor Mistakes. What should I do?

How has chronic illness impacted your marriage? It was also published in a Jan 10, blog titled " Bankruptcy Rules Review. Hiding Money from Your Spouse. The photo was also published in an undated early Feb blog titled " Debt Relief Consolidation — Tips To Find Free Debt Help Online ," with the caption and detailed notes that I provided on this Flickr page, followed by some more serious comments about the details of debt relief consolidation. And it was published in a Feb 8, blog titled " Female partners of heavy gamblers — victims or enablers?

It was also published in an undated mid-Mar Website titled Especialistas en Divorcios. And it was published in a Mar 21, blog titled " Make love, not war: It was also published in a Mar 30, blog titled " Gründe für die Eifersucht. Try Harmony in Your Relationship. You seem to be using an unsupported browser. Please update to get the most out of Flickr.

Explore Trending More More. View all All Photos Tagged Annemarie heinrich Año Formato Singapore Cityscape by Guowen Wang. Do not use my photos in anyway without my explicit permission. Our help is free of charge! The first film was "Almost a Honeymoon". It was renamed ABC in February , and was redecorated in There were then seats. The cinema became a Listed Building.

Renamed ABC in June Text by Philip G Mayer. Aigues Mortes by dynamo. France Voir la carte topographique de France City locator TransportsModifier Vue aérienne d'Aigues-Mortes. Aigues-Mortes bénéficie ainsi de ces axes: La ligne de bus permet aussi de rallier Montpellier ainsi que les Saintes-Maries-de-la-Mer. Louis IX sur une nef, au départ d'Aigues-Mortes, lors de la septième croisade.

Plan d'Aigues-Mortes et de ses accès à la mer. Archives municipales de Toulouse. Massacre des Italiens d'Aigues-Mortes. Une pièce de théâtre de Serge Valletti, Sale Août, se fonde sur ces événements tragiques. Le canal du Rhône à Sète traversant Aigues-Mortes. Le canal du Rhône à Sète Politique et administrationModifier Tendances politiques et résultatsModifier Article connexe: Élections municipales de dans le Gard.

Les dernières élections municipales à Aigues-Mortes ont eu lieu les 23 et 30 mars Administration municipaleModifier Centre-ville d'Aigues-Mortes. Depuis les dernières élections municipales, sa composition est la suivante: Liste des maires d'Aigues-Mortes. JumelagesModifier Cette section est vide, insuffisamment détaillée ou incomplète. Pyramide des âges à Aigues-Mortes en en pourcentage[36]. SantéModifier Cette section est vide, insuffisamment détaillée ou incomplète.

Manifestations culturelles et festivitésModifier Plan des arènes d'Aigues-Mortes.

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Although climbing roses are the fastest growing roses, they get along with very little garden space. They have no rootlets as the evergreen ivy, nor can they wind up like a honeysuckle. Their only auxiliary tool are their spines with which they are entangled in their ascent mesh. From August, but no more, because everything then still new drives would freeze to death in winter. Well-rotted horse manure as fertilizer was used straw mixed with horse manure, 4 years old.

It smelled terrible, but only for 2 days. Since the City of Vienna may only invest more plant compost heap the EU Directive prohibits animal compost heap on public property , this type of fertilization is no longer possible to the chagrin of gardeners, and roses.

In the people garden in addition is foliar fertilizer used it is sprayed directly on the leaves and absorbed about this from the plant. Old rose varieties are no longer commercially available. Maybe because they are more sensitive, vulnerable. Thus, the bud of Dr. Debat already not open anymore, if it has rained twice.

Roses need to be replaced in the People's Garden, this is sometimes done through an exchange with the Augarten Palace or the nursery, where the finishes are made. Previously there were roses in Hirschstetten and the Danube Park, but the City of Vienna has abandoned its local rose population not to say destroyed , no exchange with these institutions is possible anymore.

Was formerly in breeding the trend to large flowers, one tends to smell roses again today. Most varieties show their resplendent, lush flowers only once, early in the rose-year, but modern varieties are more often blooming. Most of the shrub or park roses can be found along the fence to Heroes' Square. These types are so old, and there are now so many variations that even a species of rose connoisseurs assignment is no longer possible in many cases.

The showy, white, instensiv fragrant wild rose with its large umbels near des Triton Fountain is called Snow White. When you enter, coming from the Ballhausplatz, the Viennese folk garden of particular note is a large rose bush, which is in full bloom in June. Before that, there is a panel that indicates that the rose is named after Karl Renner, founder of the First and Second Republic. The history of the rose is a bit of an adventure. Karl Renner was born on 14 in December in the Czech village of Untertannowitz as the last of 18 children of a poor family.

In summer , the then Director of the Austrian Federal Gardens, Peter Fischer Colbrie was noted that Karl Renner's birthplace in Untertannowitz - Dolni Dunajovice today - and probably would be demolished and the old rosebush as well fall victim to the demolition.

The Federal Gardens director immediately went to a Rose Experts on the way to Dolni Dunajovice and discovered "as only bright spot in this dismal property the at the back entrance of the house situated, large and healthy, then already more than 80 year old rose bush".

After consultation with the local authorities Peter Fischer Colbrie received approval, to let the magnificent rose bush dig-out and transport to Vienna. On the same day, the 17th August the rosebush was there planted and in the following spring it sprouted already with flowers.

In June , by the then Minister of Agriculture Molterer and by the then Mayor Zilk was a plaque unveiled that describes the origin of the rose in a few words. Meanwhile, the "Renner-Rose" is far more than a hundred years old and is enjoying good health. For around euros, it is possible to assume a Rose sponsorship for 5 years. A tree-sponsorship costs euros for 1 year.

Currently, there are about 60 plates. Behind this beautiful and tragic memories. En , al haber incrementado sus fondos con numerosos objetos de mobiliario, indumentaria, pintura, etc.

En todas estas salas se pueden admirar pinturas y objetos variados, relojes, jarrones etc. Otra pareja de pinturas de paisaje en formato oval seguramente para formar un pendant, representan un Paisaje campestre al atardecer y una Vista de un puerto al amanecer con clara influencia de la pintura holandesa. Se encuentra expuesta repartida en las diversas salas de esta segunda planta del palacio.

Se encuentran visibles fragmentos procedentes de diversos palacios valencianos. Junto a bustos austriacos de este estilo se encuentran piezas del escultor valenciano Mariano Benlliure.

Its combination of good looks, high performance, and competitive pricing established the marque as an icon of s motoring. A great success for Jaguar, over seventy thousand E-Types were sold during its lifespan. On its release Enzo Ferrari called it "The most beautiful car ever made". The model was made in three distinct versions which are now generally referred to as "Series 1", "Series 2" and "Series 3". Jaguar planned to produce 18 units but ultimately only a dozen were reportedly built.

Of those, one is known to have been destroyed and two others have been converted to coupé form. These are exceedingly rare and sought after by collectors. It is presently believed to be part of the private collection of the current Viscount Cowdray.

After their success at LeMans 24 hr through the s Jaguars defunct racing department were given the brief to use D-Type style construction to build a road going sports car, replacing the XK It is suspected that the first prototype E1A was given the code based on: The proposed production name E-Type 1: Aluminium construction Production models used steel bodies. The car featured a monocoque design, Jaguar's fully independent rear suspension and the well proved "XK" engine.

The car was used solely for factory testings and was never formally released to the public. The car was eventually scrapped by the factory. Jaguar's second E-Type concept was E2A which unlike E1A was constructed from a steel chassis and used a aluminium body. This car was completed as a race car as it was thought by Jaguar at the time it would provide a better testing ground. After retiring from the LeMans 24 hr the car was shipped to America to be used for racing by Jaguar privateer Briggs Cunningham.

Ownership of E2A passed to Roger Woodley Jaguars customer competition car manager who took possession on the basis the car not be used for racing. E2A had been scheduled to be scrapped. The Series 1 was introduced, initially for export only, in March The domestic market launch came four months later in July The first cars built had flat floors and external hood bonnet latches. These cars are rare and more valuable. After that, the floors were dished to provide more leg room and the twin hood latches moved to inside the car.

All E-Types featured independent coil spring rear suspension with torsion bar front ends, and four wheel disc brakes, in-board at the rear, all were power-assisted. Jaguar was one of the first auto manufacturers to equip cars with disc brakes as standard from the XK in The Series 1 can be recognised by glass covered headlights up to , small "mouth" opening at the front, signal lights and tail-lights above bumpers and exhaust tips under the licence plate in the rear.

Optional extras included chrome spoked wheels and a detachable hard top for the OTS. An original E-Type hard top is very rare, and finding one intact with all the chrome, not to mention original paint in decent condition, is rather difficult.

For those who want a hardtop and aren't fussy over whether or not it is an original from Jaguar, several third parties have recreated the hardtop to almost exact specifications. The body is 9 in mm longer and the roof angles are different with a more vertical windscreen.

The roadster remained a strict two-seater. Due to American pressure the new features were open headlights, different switches, and some de-tuning with a downgrade of twin Zenith-Stromberg carbs from the original triple SU carbs for US models. A fuel consumption of Production numbers from Graham [12]:. Production numbers from xkedata.

Open headlights without glass covers, a wrap-around rear bumper, re-positioned and larger front indicators and taillights below the bumpers, better cooling aided by an enlarged "mouth" and twin electric fans, and uprated brakes are hallmarks of Series 2 cars. De-tuned in US, but still with triple SUs in the UK, the engine is easily identified visually by the change from smooth polished cam covers to a more industrial 'ribbed' appearance.

The interior and dashboard were also redesigned, with rocker switches that met U. S health and safety regulations being substituted for toggle switches. The dashboard switches also lost their symmetrical layout. New seats were fitted, which purists claim lacked the style of the originals but were certainly more comfortable. Air conditioning and power steering were available as factory options.

Production according to Graham [12] is 13, of all types. Series 2 production numbers from xkedata. Official delivery numbers by market and year are listed in Porter [3] but no summary totals are given.

It is easily identifiable by the large cross-slatted front grille, flared wheel arches and a badge on the rear that proclaims it to be a V There were also a very limited number of 4.

These were featured in the initial sales literature. It is believed these are the rarest of all E-Types of any remaining. In a British classic car enthusiast assembled what is surely the last ever E-Type from parts bought from the end-of-production surplus in Graham [12] lists production at 15, Series 3 production numbers from xkedata.

Shortly after the introduction of the E-Type, Jaguar management wanted to investigate the possibility of building a car more in the spirit of the D-Type racer from which elements of the E-Type's styling and design were derived. One car was built to test the concept designed as a coupé as its monocoque design could only be made rigid enough for racing by using the "stressed skin" principle.

Previous Jaguar racers were built as open-top cars because they were based on ladder frame designs with independent chassis and bodies. Sayer retained the original tub with lighter outer panels riveted and glued to it. The front steel sub frame remained intact, the windshield was given a more pronounced slope and the rear hatch welded shut.

Rear brake cooling ducts appeared next to the rear windows,and the interior trim was discarded, with only insulation around the transmission tunnel. With the exception of the windscreen, all cockpit glass was plexi. A tuned version of Jaguar's 3. Air management became a major problem and, although much sexier looking and certainly faster than a production E-Type, the car was never competitive: The one and only test bed car was completed in summer of but was sold a year later to Jaguar racing driver Dick Protheroe who raced it extensively and eventually sold it.

Since then it has passed through the hands of several collectors on both sides of the Atlantic and now is believed to reside in the private collection of the current Viscount Cowdray. In some ways, this was an evolution of the Low Drag Coupé.

It made extensive use of aluminium alloy in the body panels and other components. However, with at least one exception, it remained an open-top car in the spirit of the D-Type to which this car is a more direct successor than the production E-Type which is more of a GT than a sports car. The cars used a tuned version of the production 3. At least one car is known to have been fitted with fuel-injection.

Jaguar E-type, the definitive history. Retrieved 29 August A—Z British Cars — Page 24 Jaguar E V The original ballroom, the Tower Pavilion, opened in August It was smaller than the present ballroom and occupied the front of the tower complex.

The Tower Ballroom was built between and to the designs of Frank Matcham, who also designed Blackpool Grand Theatre, and it opened in It was commissioned by the Tower company in response to the opening of the Empress Ballroom in the Winter Gardens.

The ballroom floor is ft 37 m x ft and is made up of 30, blocks of mahogany, oak and walnut. Above the stage is the inscription, "Bid me discourse, I will enchant thine ear" from the poem Venus and Adonis by William Shakespeare.

Each crystal chandelier in the ballroom can be lowered to the floor to be cleaned which takes over a week. From until his retirement in the resident organist was Reginald Dixon, known affectionately worldwide as "Mr.

The first Wurlitzer organ was installed in , but it was replaced in by one designed by Reginald Dixon. Ernest Broadbent took over as resident organist in until he retired due to ill health in The current resident organist is Phil Kelsall who has been playing the organ at the Tower since when he started in the circus. Kelsall became resident in the ballroom in , he was awarded an MBE like Dixon in for services to music.

The ballroom was damaged by fire in December , and the dance floor was destroyed along with the restaurant underneath the ballroom. The BBC TV series Come Dancing was televised from the Tower Ballroom for many years and it has also hosted shows from Strictly Come Dancing, including the grand finals of the second and ninth series, on 11 December , and 17 December respectively. Dancing was not originally allowed on Sundays; instead, sacred music was played.

The ballroom also originally had very strict rules including:. The ballroom has had a number of resident dance bands including Bertini and his band, and Charlie Barlow.

Under the management of Leisure Parcs, and the direction of bandleader Greg Francis, the Blackpool Tower Big Band was reformed in after an absence of 25 years. Themed nights were also introduced along with the sixteen piece orchestra, with resident singers, including Robert Young born Robert Parkes Stockport , Tony Benedict, Lynn Kennedy, and Mark Porter.

You can purchase this photo on Getty Images. I could write nice descriptions about buildings like the Chrysler Building and the Empire State Building, seen here from Top of the Rock atop the GE Building, but everyone is probably familiar with these famous landmarks.

What about those other buildings? It was erected in with a striking art deco facade contributing significantly to the international reputation of Fifth Avenue.

The building measures approximately , rentable square feet and is currently owned by The Feil Organization. It is used primarily as an office building and also houses classrooms of Pace University. The building is one of the better known projects of the real estate developer Frederick Fillmore French. The lead architects were H. Jones, it was finished in and is considered part of the art deco school of architecture. When it was built, it was the fourth-tallest tower in the world.

Its owner until his death in was Frederick William Vanderbilt. On November 14, , the building became the final site to be removed from Thomas Edison's original direct current grid in New York City.

Today, some refer to the building as "the Napa Building", a reference to its long-time tenant Napa Group, Inc. The Chanin Building is a brick and terra-cotta skyscraper located at East 42nd Street, at the corner of Lexington Avenue, in Manhattan.

Built by Irwin S. Chanin in , it is 56 stories high, reaching The tower rises 22 stories and then thins into a series of setbacks, reaching a total of 56 floors.

When originally completed, the 50th floor had a silver-and-black high-brow movie theater. This floor and the 51st are now offices joined by a stairwell instead. Initially a dominant landmark in the midtown skyline, the building had an open-air observatory on the 54th floor. Having been surpassed in height by a number of buildings, most notably the Chrysler Building located across the street, the observatory has been long closed.

It was completed in It is feet meters tall with 53 stories and built in neo-gothic style. Although dwarfed by other buildings in the area, notably the Chrysler Building and MetLife Building, the Lincoln has a number of interesting features, including gothic windows at the top, the lobby, and the bronze model by Daniel Chester French of Abraham Lincoln for the Lincoln Memorial in Washington, D.

Built by Walter J. It is a recognizable part of the Manhattan skyline and one of the fifty tallest buildings in the United States. When it opened on March 7, the Pan Am Building as it was known at the time was the largest commercial office space in the world.

It faced huge initial unpopularity, being described as an "ugly behemoth", due to its lack of proportion and huge scale—it dwarfed the New York Central Building to the north and the Grand Central Terminal to the south.

The last tall tower erected in New York City before laws were enacted preventing corporate logos and names on the tops of buildings, it bore 15' tall "Pan Am" displays on its north and south faces and 25' tall globe logos east and west. Pan Am originally occupied 15 floors of the building. By Pan Am's presence had dwindled to four floors; during that year Pan Am moved its headquarters to Miami.

It is purely commercial in design with large floors, simple massing, with an absence of ornamentation inside and out. It has been popular with tenants, not least because of its location next to Grand Central Terminal. In , the lifestyle periodical New York revealed in a poll that MetLife—then Pan Am—was the building that New Yorkers would most like to see demolished. Perhaps contributing to the hatred of the building is the fact that it is so visible. Situated behind Grand Central Terminal outside of the grid, the building, which would have otherwise been tucked away into the city, is left totally exposed and contrasted with the other buildings around it, most notably the New York Central Building, which is now called the Helmsley Building.

Today the building is one of the most recognizable skyscrapers in the City. In May , Sen. Harding began his affair with Nan Britton here--a relationship that continued after Harding was elected president. A Citibank branch is now on the ground floor.

The building was originally planned as part of a project consisting of two identical towers facing one another on either side of the avenue to create a major gateway to lower Fifth Avenue. The building incorporates the new tower to three pre-existing buildings, one of which served as the original headquarters for Republic National Bank of New York. Built in as the Biltmore Hotel, the story landmark hotel was gutted down to its steel skeleton between and and rebuilt as a modern glass office tower Madison Avenue.

The famous Biltmore clock was retained in the building's new atrium lobby. It was known for some time as Bank of America Plaza. Grace Building was designed principally by Gordon Bunshaft, and completed in The building was commissioned by the W. The building is located at Avenue of the Americas also known as Sixth Avenue , but the main entrance is on 42nd Street, between 5th and 6th.

The building size is approximately 1,, rentable square feet, and sits on a site approximately x feet 67, square feet. The exterior of the building is covered in white travertine, which forms a contrast against the black windows and makes the building appear brighter than those surrounding it.

An elevated, spacious lobby features a striking eight-story glass atrium ascending above the building's main entrance at the corner of 42nd Street and Madison Avenue. The building also features an auditorium and dining facilities on the expansive lower levels, and is home to PricewaterhouseCoopers and The Canadian Imperial Bank of Commerce.

Construction of the tower began in and was completed late in During the planning stage, designers focused particularly on the views from the building. The columns were kept away from the perimeter of the tower and the main façade was designed to provide undisturbed viewing from the building. A higher quality of concrete was used to reduce the column sizes of the towers and increase office space. Constructed in , it is feet meters tall, with 57 stories.

It is the 64th tallest building in New York City. The tower is located at Fifth Avenue in Manhattan. The building has a secondary purpose as a residential condominium. Floors five through 27 contain a room hotel, and floors 28 through 56 are residential condominiums. Em , a Catedral foi transferida do Morro do Castelo para a igreja de Santa Cruz dos Militares, onde permaneceu apenas três anos.

Em , o Cardeal D. Eugenio de Araujo Sales sucessor de D. E, no dia 4 de outubro de , Sua Santidade presidiu solene Missa, concelebrada por mais de bispos do mundo inteiro e por mais de 1. Autoridades civis, militares e religiosas e milhares de fiéis agradeceram a Dom Eugenio Sales pelo seu fecundo pastoreio e apresentaram a Dom Eusébio Scheid as boas vindas e votos de abençoado pastoreio.

A Catedral tem as seguintes medidas: Na base, a pirâmide é quadrada e larga, mas se estreita a medida em que sobe, até tomar, no topo, a forma de um platô. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style. Gerhard's mother, Hildegard Schönfelder, at the age of 25 gave birth to Gerhard.

Hildegard's father, Ernst Alfred Schönfelder, at one time was considered a gifted pianist. Ernst moved the family to Dresden after taking up the family enterprise of brewing and eventually went bankrupt. Once in Dresden, Hildegard trained as a bookseller, and in doing so realized a passion for literature and music. Gerhard's father, Horst Richter, was a mathematics and physics student at the Technische Hochschule in Dresden.

The two were married in After struggling to maintain a position in the new Nationalist Socialist education system, Horst found a position in Reichenau. In Reichenau, Gerhard's younger sister, Gisela was born in November Horst and Hildegard were able to remain primarily apolitical due to Reichenau's location in the countryside. Horst, being a teacher, was eventually forced to join the National Socialist Party.

He never became an avid supporter of Nazism, and was not required to attend party rallies. In , Gerhard was conscripted into the Deutsches Jungvolk, but by the end of the war he was still too young to be an official member of the Hitler Youth.

In Hildegard moved the family to Waltersdorf, and was later forced to sell her piano. He left school after 10th grade and apprenticed as an advertising and stage-set painter, before studying at the Dresden Academy of Fine Arts.

In , he finished higher professional school in Zittau, and, between and , successively worked as an apprentice with a sign painter and as a painter. In , his application for study at the Dresden Academy of Fine Arts was rejected as "too bourgeois". He finally began his studies at the Dresden Academy of Fine Arts in In , Richter resettled from Düsseldorf to Cologne, where he still lives and works today.

In , he moved into a studio designed by architect Thiess Marwede. He married his second wife, the sculptor Isa Genzken, in Richter had a son and daughter with his third wife, Sabine Moritz after they were married in In the early days of his career, he prepared a wall painting Communion with Picasso, for the refectory of his Academy of Arts as part of his B.

Another mural entitled Lebensfreude Joy of life followed at the German Hygiene Museum for his diploma. It was intended to produce an effect "similar to that of wallpaper or tapestry". Both paintings were painted over for ideological reasons after Richter escaped from East to West Germany two months before the building of the Berlin Wall in After German reunification two "windows" of the wall painting Joy of life were uncovered in the stairway of the German Hygiene Museum, but these were later covered over when it was decided to restore the Museum to its original state.

From to Richter worked as a master trainee in the academy and took commissions for the then state of East Germany. During this time, he worked intensively on murals like Arbeiterkampf Workers' struggle , on oil paintings e. With Sigmar Polke and Konrad Fischer de pseudonym Lueg he introduced the term Kapitalistischer Realismus Capitalistic Realism as an anti-style of art, appropriating the pictorial shorthand of advertising. This title also referred to the realist style of art known as Socialist Realism, then the official art doctrine of the Soviet Union, but it also commented upon the consumer-driven art doctrine of western capitalism.

Richter taught at the Hochschule für bildende Künste Hamburg and the Nova Scotia College of Art and Design as a visiting professor; he returned to the Kunstakademie Düsseldorf in , where he was a professor for over 15 years.

Nearly all of Richter's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Richter, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. Richter's opinions and perspectives on his own art, and that of the larger art market and various artistic movements, are compiled in a chronological record of "Writings" and interviews. The following quotes are excerpts from the compilation:.

Otherwise I would not take so much trouble over my choice of subjects; otherwise I would not paint at all.

Richter created various painting pictures from black-and-white photographs during the s and early s, basing them on a variety of sources: For Forty-eight Portraits —2 , he chose mainly the faces of composers such as Gustav Mahler and Jean Sibelius, and of writers such as H. Wells and Franz Kafka. From his "Writings", the following refer to quotations regarding photography, its relationship with painting, and the "blur":. It does not change; it is absolute, and therefore autonomous, unconditional, devoid of style.

Both in its ways of informing, and in what it informs of, it is my source. Blurring is not the most important thing; nor is it an identity tag for my pictures. When I dissolve demarcations and create transition, this is not in order to destroy the representation, or to make it more artistic or less precise.

The flowing transitions, the smooth equalizing surface, clarify the content and make the representation credible an "alla prima" impasto would be too reminiscent of painting, and would destroy the illusion. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information. Many of these paintings are made in a multi-step process of representations.

He starts with a photograph, which he has found or taken himself, and projects it onto his canvas, where he traces it for exact form. Taking his color palette from the photograph, he paints to replicate the look of the original picture.

His hallmark "blur" is achieved sometimes with a light touch of a soft brush, sometimes a hard smear by an aggressive pull with a squeegee. From around , Richter made a number of portraits of dealers, collectors, artists and others connected with his immediate professional circle. Richter's two portraits of Betty, his daughter, were made in and respectively; the three portraits titled IG were made in and depict the artist's second wife, Isa Genzken.

Lesende portrays Sabine Moritz, whom Richter married in , shown absorbed in the pages of a magazine. Richter began making prints in He was most active before , only completing sporadic projects since that time. In the period —74, Richter made most of his prints more than , of the same or similar subjects in his paintings. While elements of landscape painting appeared initially in Richter's work early on in his career in , the artist began his independent series of landscapes in after his first vacation, an excursion that landed him besotted with the terrain of Corsica.

They are compared to the work of Caspar David Friedrich — Friedrich is foundational to German landscape painting. Each artist spent formative years of their lives in Dresden. Atlas was first exhibited in at the Museum voor Hedendaagse Kunst in Utrecht under the title Atlas der Fotos und Skizzen, it included parts.

The work has continued to expand, and was exhibited later in full form at the Lenbachhaus in Munich in , the Museum Ludwig in Cologne in , and at Dia Art Foundation in New York in Atlas continues as an ongoing, encyclopedic work composed of approximately 4, photographs, reproductions or cut-out details of photographs and illustrations, grouped together on approximately separate panels. In Richter embarked on a ten-day trip to Greenland, his friend Hanne Darboven was meant to accompany him, but instead he traveled alone.

His intention was to experience and record the desolate arctic landscape. In , four large paintings, each titled Seascape emerged from the Greenland photographs. Two of Richter's memento mori paintings — Kerze and Schädel — on display at Neue Nationalgalerie, Berlin in In and , Richter made a series of paintings of Candles and Skulls that relate to a longstanding tradition of still life memento mori painting.

Each composition is most commonly based on a photograph taken by Richter in his own studio. The Candle paintings coincided with his first large-scale abstract paintings, and represent the complete antithesis to those vast, colorful and playfully meaningless works. Richter has made only 27 of these still lifes.

His solitary candle was reproduced on a monumental scale and placed overlooking the River Elbe as a symbol of rejuvenation. In a series of 15 ambiguous photo paintings entitled 18 October , he depicted four members of the Red Army Faction RAF , a German left-wing terrorist organization.

These paintings were created from black-and-white newspaper and police photos. Three RAF members were found dead in their prison cells on 18 October and the cause of their deaths was the focus of widespread controversy. The paintings were based on an official portrait of Ulrike Meinhof during her years as a radical journalist; on photographs of the arrest of Holger Meins; on police shots of Gudrun Ensslin in prison; on Andreas Baader's bookshelves and the record player to conceal his gun; on the dead figures of Meinhof, Ensslin, and Baader; and on the funeral of Ensslin, Baader, and Jan-Carl Raspe.

Since , Richter has worked on creating new images by dragging wet paint over photographs. The photographs, not all taken by Richter himself, are mostly snapshots of daily life: A few years later, he made one small painting specifically about the planes crashing into the World Trade Center.

A History Painting by Gerhard Richter, Robert Storr situates Richter's painting September within a brand of anti-ideological thought that he finds throughout Richter's work, he considers how the ubiquitous photographic documentation of the 11 September attacks affects the uniqueness of one's distinct remembrance of the events, and he offers a valuable comparison to Richter's 18 October cycle.

In the s, Richter made a number of works that dealt with scientific phenomena. In , he produced several paintings with the same title: Large oil-on-canvas pieces, these show latticed rows of light- and dark-grey blobs whose shapes quasi-repeat as they race across the frame, their angle modulating from painting to painting.

They depict a photo, published in the Frankfurter Allgemeine Zeitung, of a computer-generated simulacrum of reflections from the silicon dioxide found in insects' shells. Coming full-circle from his early Table in which he cancelled his photorealist image with haptic swirls of grey paint,[ in , Richter produced the first of a group of grey monochromes that consist exclusively of the textures resulting from different methods of paint application.

In , Richter first gave the title Abstract Painting to one of his works. By presenting a painting without even a few words to name and explain it, he felt he was "letting a thing come, rather than creating it. The paintings evolve in stages, based on his responses to the picture's progress: Throughout his process, Richter uses the same techniques he uses in his representational paintings, blurring and scraping to veil and expose prior layers.

From the mids, Richter began to use a homemade squeegee to rub and scrape the paint that he had applied in large bands across his canvases. In an interview with Benjamin H. The following are Richter's answers:. The Grey Pictures were done at a time when there were monochrome paintings everywhere. I painted them nonetheless.

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